Sew Expensive... the pattern of a lifetime.

 I know the posting has been almost non-existent the last week or so. That's because I have been on hiatus, visiting my most excellent mother in Nebraska. We have had a fun week so far of hunting at garage sales and thrift shops for treasure.
One amusing past-time that I recently shared with my mother is stalking Ebay auctions for patterns that I can't afford.
And last night I watched a pattern sell for a literally unbelievable sum.
Allow me to introduce McCall 1794.

This hat pattern makes my eyes water I love it so much. I knew the moment that I saw it that the mere $150 that I was planning on bidding would be nowhere near enough. I have never in my days seen a sewing pattern for a hat of this style.

But, of course, I'm getting ahead of myself. You want to know what the pattern sold for, don't you?
This rare beauty sold last night for a staggering $685.00.
No, that's not a typo. You really are seeing a pattern sell for more than $600.

My mother was stunned. With all of her experience in the antiques world she was at a loss for why it was worth so much and asked me what I thought.

It is difficult to explain. I always say that any vintage pattern is worth what you are willing to pay for it. And clearly it was valuable enough for at least two collectors to bid over $600 each... one person's high bid may have even been in the $700 range.

(On a side note, my mother has never sold an actual hat from this era in all it's original glory for more than $400.)

But why? What is the appeal? We have already discussed the factor the the more beautiful the art on the envelope, the more us collectors drool over it. Another important factor is the hat style itself.
This pattern is dated at 1931 and features a hat style that was only popular for a few years. The close fitting cloche of the 1920's gave way to the soft brim at the end of that decade. Women who couldn't afford regular trips the milliner's sewed new brims onto their existing cloches to stay in vogue.
The fact the a pattern exists for such a short-lived hat is wonderful... we may never see another one like this again, so short is the time it had to be known.

But who would have the budget to buy such a rare gem? A collector, maybe, with a wonderful budget? That is a possibility for sure. Or perhaps someone willing to invest that much in the pattern in order to make a reproduction from it? Maybe. The most likely buyer of this pattern though will probably be a professional costumer for movies or theater. My mother used to work with the very best in the business, helping them procure beautiful clothing, accessories and jewelry for period pieces such as Titanic, The Adams Family, Amistad, and Legends of the Fall (my all-time favorite). It is no stretch of the imagination that they would be willing to pay such a Hollywood price to make near authentic copies for movies.
My hope is that the buyer was someone planning to reproduce the pattern because I don't know about you, but I plan on bringing this hat back into style again!

Introducing PhoebeDelia's Mercantile

I am lucky to say that my mother and I have a great relationship. She raised me in a world quite different from most. I grew up in an antique shop. As a baby I slept in beautiful antique, lacy baby gowns, laying in a lovely antique bassinet in my mother's shop. Customers were often surprised to see me stir, thinking I was a doll.

As I grew, most days were spent playing with scraps of lace or curled up with a book in a nest of satin quilts underneath a lovely antique table while my mother worked. Weekends were exciting expeditions to thrift shops, estate sales, auctions and the like, in search of treasure. My sister and I could spot a valuable antique from a mile away, and there were finders fees to be had. It was, and still is, my favorite game, hunting treasure.

Sewing was a big part of this. My barbies were the best dressed you ever saw, sporting real silk lined mink coats fashioned by my mother with scraps. Many of my clothes were hand sewn (though I never appreciated the work, or the originality of my wardrobe until years later when I tried to sew my first dress and thought, How the hell did my mother manage this?)
 My tastes always leaned towards the vintage dresses I had played dress-up in (who else had slightly tattered 1950's prom dresses, a real fur coat, and rhinestone covered everything in their dress-up box?)

I'm the little one in the massive hat.

Naturally, my antiqued, gilded, dusty and bejeweled upbringing has everything to do with my passions today. I wear vintage, I sew vintage, I hunt vintage, I blog and breathe vintage.
So it's only natural that my mother and I should still be in business together today. I'm web savvy and she has the know-all from 30 years of running an antique business. My sister and I both helped her start on eBay when it started up, and now Mom has two shops online, one on Etsy.com specializing in vintage sewing, clothing, jewelry, and accessories overseen by me and one on Rubylane.com focusing on rare antiques.
She is my first sponsor for the blog (I'm over-payed in vintage couture, who could complain?) and I asked her to share a bit about herself. The story is great, and goes to show that following one's passions can lead to a life well lived, and on the glittering, lacy terms one chooses.
Ladies and gentlemen, I give you my mother: